At 84, Zimmerman was not young, and had decades of sporadically released, underheard music behind him, starting with his Tony Visconti-produced 1968 debut, Ten Songs (which David Bowie listed in ...
"Chiaroscuro" - "light-dark", usually applied to bold contrasts within a single painting - isn't a term I'd have thought a ...
A tray of water, a metallic plate piled with salt, a bubble-producing plastic stick. The kind of tat that looks so cheap you ...
Making the television news even in the UK, let alone in hundreds of countries around the world, the story of the lost Irish ...
Many epic biopics make a messy spread of their protagonist's life (the overrated Oppenheimer is a prime example). Not this ...
Over the last 30 years or so, the Avalanches have proved themselves to be samplers supreme and masters of the cut-up, ...
What a delightful show this is: a big hit at this year’s Edinburgh Fringe and now enjoying an extended run at Soho Theatre, ...
Lise de la Salle was not the soloist the NDR Radiophilharmonie Hannover originally planned to bring with them to open their ...
Ibsen's powerful study of hypocrisy gleams and bristles in the close-up intimacy of the bijou Jermyn Street Theatre. Richard Eyre's version, first seen at the Almeida in 2013, presents the play, its ...
There’s a sinister edge these days to men dressed all in black, marching in step. They used to be quite funny (in this country anyway) and often still are, but the Roderick Spode aspect is fading and ...
Martin McDonagh’s Wild Horse Nine may have more dialogue than all the 1957 films put together, but McDonagh never seems to have thought his theatre-born gabbiness can’t be pasted across into cinema.
Given how relentlessly cheerful his paintings are, you’d have thought Pierre-Auguste Renoir would be a jolly cove. But his ...
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